Saturday 24 December 2011

crimes of the heart.


i know. i know. crimes of the heart, the deliciously black comedy about three eccentric southern belles, was actually made in 1986. however, watching and re-watching it this morning (for the 800th time), this film served as a much-needed reminder that rules are occasionally meant to be broken.

based on beth henley's pulitzer-prize winning play, crimes of the heart tells the story of the magrath sisters who reunite at their grandaddy's mississippi home after the youngest, babe, shoots her redneck husband in the stomach. flighty and fancy-free with a mellifluous drawl and a penchant for sugary lemonade, babe is one of sissy spacek's greater performances. in fact, the same can be said for jessica lange as meg, wild child extraordinaire, and diane keaton's leonora, the hapless spinster with the weight of the world on her shoulders. 

a trio of superior actresses, with help from henley's own reworked screenplay, triumphantly weaves together knee-slapping comedy and individual tales of unrequited love, suicide and a botched murder scheme...and tess harper is perfect (in an oscar-nominated performance) as their know-it-all bitch of a cousin, who ultimately gets a richly deserved backside full of broom bristles, hilariously hied up a magnolia tree by lenny the lunatic.

southern gothic at it's finest:


meg is undeniably the rock n' roll rebel, defiant in that battered jean jacket and those bright pink pumps, not to mention the bleached tina turner shag with black roots (in fact, in one scene where she is waiting for the dashing sam shepard to whisk her off of the porch, she whips out a lady bic razor and proceeds to tear into her split ends - so awesome).

lenny, the sympathetic basket case in wool socks and floppy hats, works a dowdy wardrobe abundant in fantastically drab colors and excessive lengths, often tripping on the hem of her house dress in the midst of her many over-the-top fugue states.    

and the fantastic babe, decked out in clutch-worthy pearls and head-to-toe chantilly lace, is a vision, even while gracefully sipping a bottle of peanuts and coca cola. so memorable was her style that it immediately called to mind this past spring collection for dolce and gabbana, itself overflowing with dramatic flair and dazzling sicilian lace.







 a few more thoughts...

clockwise from top left: rag & bone, denim jacket; paul & joe, ruffled off-the-shoulder dress; forever 21, floppy straw hat; valentino, pearl floral dress; manolo blahnik, patent point-toe pump; maison martin margiela, wool cardigan; proenza schouler, silk smock skirt; frenchtrotters, blutcher brown men's shoes; ray ban, original wayfarer sunglasses -- all from polyvore.com

Tuesday 6 December 2011

alice.

 is it blasphemy to admit that annie hall is not my favorite woody allen film? alice isn't my favorite either, but it is pretty fantastic. okay, maybe i just don't like annie hall.
alice tate, played with charming conviction by the always sensational mia farrow, is a bored madison avenue housewife whose life of privilege takes a dramatic turn when she is referred to a chinese herbal remedy specialist. dressed to the nines and draped in a luxe fur, alice sits in a dingy waiting room while the doctor prescribes a dizzying array of natural concoctions, all of which carry some pretty gnarly side effects: invisibility, hallucinations, the ability to...fly.

 this film is great in many different ways: first, it made me realize just how many times william hurt has played a dislikable prick (re: the accidental tourist, broadcast news, children of a lesser god, a history of violence). secondly, it is led by one of allen's most empathetic female characters (for a change), while still adhering to his trademark themes of neuroses, infidelity, writing and doing-the-right-thing. by the end, the once perpetual name-dropper, now so indebted to the eye-opening effects of non-traditional medicine, turns her back on the world of bergdorf goodman and helena rubinstein for mother teresa, an epiphany that mirrors the actress's own childhood years of wealth and her current dedication to humanitarian work.

...and lastly, of course, the clothing!

 there is nothing more satisfying than a trip back to early nineties manhattan fashion.


 
pieces, bowler hat

ralph lauren, black & white striped silk shirt

dkny, lace tunic
rachel antonoff, collared jumper
jason wu, lace blouse
simonetta ravizza, sofia fur coat



valentino, pleated skirt

jacques vert, vermillion red cape
valentino, red coat dress



 
hudson's bay signature blanket

chanel, quilted handbag





featuring a stellar cast of supporting actresses -- judy davis, gwen verdon, bernadette peters, robin bartlett, cybil shepard, blythe danner and julie kavner -- all decked out à la ladies who lunch, sadly, in criminally short amounts of individual screen times.

a very odd and interesting picture, the countless woody-isms and a to-the-bone performance by his ex (and the adoptive mother of his current wife) make this a pleasantly surprising piece in allen's unpredictably shaky repertoire.